Identifying the Causes of the Emergence of Religious Themes and Its Important Components in the Murals of Religious Monuments of the Qajar Era (Case Study: Sacred Shrines of Guilan Province)
Due to the post-constitutional developments, religious painting was mainly limited to folk paintings, which were mostly produced in sacred shrines by non-court painters and aimed at folk artists. The Qajar dynasty covered a wide variety of subjects, with opportunities for governmental, religious, li...
Main Authors: | , , |
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Format: | Article |
Language: | fas |
Published: |
Faculty of Art, Shahed University
2022-03-01
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Series: | نگره |
Subjects: | |
Online Access: | http://negareh.shahed.ac.ir/article_3240_4c3a6654b083ee20c9a654254b1610d0.pdf |