Confining, Incapacitating, and Partitioning the Body: Carcerality and Surveillance in Samuel Beckett’s Endgame, Happy Days, and Play
Beckett’s utilization of subjectivity is directly linked to his excavation of the carceral, restrictive, and debilitating formations which are vital to the structure of his plays. His preoccupation with confined bodies is expressed across multiple dramatic texts and the characters of Endgame, Happy...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Université Toulouse - Jean Jaurès
2011-06-01
|
| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
| Subjects: | |
| Online Access: | http://journals.openedition.org/miranda/1872 |