Theatrical Aesthetics and Transatlantic Representation in Robert Hunter’s Androboros
This essay argues that New York governor Robert Hunter’s 1715 play Androboros relies on a theatrical aesthetics that transcends dramatic form. Even though the play was never performed, its dramatic narrative still focuses on the body-on-stage, and negotiates the contingency that characterizes the co...
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| Format: | Article |
| Language: | English |
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Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles
2017-12-01
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| Series: | XVII-XVIII |
| Online Access: | http://journals.openedition.org/1718/832 |