Snapshots: Fotografische Spuren in Félix Vallottons Roman La vie meurtrière
The transformation of narrative techniques in works from the nineteenth to the twentieth century clearly shows the existence of some forms of interaction between literature and photography. This interaction defines ‘The Photographic’ as a Denkfigur of linguistic mediality, as the analysis of the...
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| Format: | Article |
| Language: | deu |
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Fondazione Università Ca’ Foscari
2021-09-01
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| Series: | Annali di Ca’ Foscari. Serie Occidentale |
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| Online Access: | http://doi.org/10.30687/AnnOc/2499-1562/2021/09/010 |