Masks as a method: Meyerhold to Mnouchkine
Through the mask, the individual has the potential to challenge the understanding of who they are through their body now being separated from the visual identifier of their face. From earliest records of performance, masks have been engaged with as both a performative object and more importantly as...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2016-12-01
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| Series: | Cogent Arts & Humanities |
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| Online Access: | http://dx.doi.org/10.1080/23311983.2016.1236436 |