Uno, nessuno e centomila : dépersonnalisation de l’écriture et perte d’identité
This Analyzing Luigi Pirandello’s last novel, Uno, nessuno e centomila (1926), we will consider the reconfiguration of the character that operates Pirandellian fiction, in connection with the withdrawal of the narrative instance inaugurated by the Flaubertian text. Depersonalization with Flaubert, l...
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| Format: | Article |
| Language: | fra |
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Institut des Textes & Manuscrits Modernes (ITEM)
2022-06-01
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| Series: | Flaubert: Revue Critique et Génétique |
| Online Access: | http://journals.openedition.org/flaubert/4483 |