Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography
The paper reads Stoppard’s work in the 21st century as further testimony of the gradual politicisation of his work that began in the 1970s under the influence of Czech dissidents, and particularly as a result of his visits to Russia and Prague in 1977. It also provides evidence that Stoppard, since...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-06-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/10/2/80 |