The genesis of the Brazilian nation in XIX century’s iconography
This research aims to understand the genesis of the idea of Brazilian nation through the nineteenth century’s iconography, approaching the study of images and deepening into the analysis of four artworks: Engenho da cachoeira. Corte de cana-de-açúcar by Hércule Florence, Primeira Missa no Brasil by...
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| Format: | Article |
| Language: | English |
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Universidade Estadual de Londrina
2013-06-01
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| Series: | Antíteses |
| Online Access: | http://www.uel.br/revistas/uel/index.php/antiteses/article/view/15605 |