Bluffing, Deception, and Self-Deception as Key Elements in Marber’s Dealer’s Choice
In the chapter on new comic voices in modern British drama, Christopher Innes noted that Patrick Marber’s play Dealer’s Choice (1995) “follows Mamet’s American Buffalo or Glen Garry Glen Ross in focusing on an all-male society where dealings, whether in business or cards, become a vicious test of m...
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| Format: | Article |
| Language: | English |
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University of Pardubice
2013-12-01
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| Series: | American and British Studies Annual |
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| Online Access: | https://absa.upce.cz/index.php/absa/article/view/2227 |