La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesi

In 2015, the réforme du collège was launched in France, introducing the principles of the so-called ‘spiral pedagogy’, first expounded by Jerome S. Bruner in 1960, into the school curriculum. In this contribution, the changes concerning the teaching of music education are addressed from a historical...

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Main Author: Pietro Milli
Format: Article
Language:deu
Published: University of Bologna 2022-12-01
Series:Musica Docta
Subjects:
Online Access:https://musicadocta.unibo.it/article/view/15968
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author Pietro Milli
author_facet Pietro Milli
author_sort Pietro Milli
collection DOAJ
description In 2015, the réforme du collège was launched in France, introducing the principles of the so-called ‘spiral pedagogy’, first expounded by Jerome S. Bruner in 1960, into the school curriculum. In this contribution, the changes concerning the teaching of music education are addressed from a historical, and partly comparative, perspective. More specifically, the four main stages at which government programmes have been published (from 1920 to the present) are described, with particular attention to the 2015 programmes. The article then examines the question of the reception of Bruner’s thought in France (also in relation to the case of the Manhattanville Music Curriculum Program in the United States) and its practical application in music education.
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spelling doaj.art-24babc99edf24c95a7411455372ea6292022-12-23T09:41:55ZdeuUniversity of BolognaMusica Docta2039-97152022-12-011210712210.6092/issn.2039-9715/1596814315La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesiPietro Millihttps://orcid.org/0000-0001-5583-4799In 2015, the réforme du collège was launched in France, introducing the principles of the so-called ‘spiral pedagogy’, first expounded by Jerome S. Bruner in 1960, into the school curriculum. In this contribution, the changes concerning the teaching of music education are addressed from a historical, and partly comparative, perspective. More specifically, the four main stages at which government programmes have been published (from 1920 to the present) are described, with particular attention to the 2015 programmes. The article then examines the question of the reception of Bruner’s thought in France (also in relation to the case of the Manhattanville Music Curriculum Program in the United States) and its practical application in music education.https://musicadocta.unibo.it/article/view/15968spiral pedagogyjerome s. brunermusic education programmesréforme du collègecompetences
spellingShingle Pietro Milli
La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesi
Musica Docta
spiral pedagogy
jerome s. bruner
music education programmes
réforme du collège
competences
title La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesi
title_full La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesi
title_fullStr La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesi
title_full_unstemmed La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesi
title_short La pedagogia a spirale nei programmi di educazione musicale dei “collèges” francesi
title_sort la pedagogia a spirale nei programmi di educazione musicale dei colleges francesi
topic spiral pedagogy
jerome s. bruner
music education programmes
réforme du collège
competences
url https://musicadocta.unibo.it/article/view/15968
work_keys_str_mv AT pietromilli lapedagogiaaspiraleneiprogrammidieducazionemusicaledeicollegesfrancesi