Daughters, death and desire in Fatal attraction, The piano and Talented Mr Ripley
The oedipal principle characteristic of the nineteenth-century novel of adultery survives into twentieth-century narrative fiction too, as exemplified in two films of the late century, Fatal Attraction (1987) and The Piano (1993). In both, a marriage is disrupted by the desire of an outsider. This a...
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| Format: | Article |
| Language: | deu |
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University of Ljubljana Press (Založba Univerze v Ljubljani)
2014-12-01
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| Series: | Acta Neophilologica |
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| Online Access: | https://journals.uni-lj.si/ActaNeophilologica/article/view/3095 |