Post-Feminism’s “New Sexual Contract” and Electronic Dance Music’s Queered Femme Voices
Angela McRobbie argues that post-feminism’s “new sexual contract” grants otherwise privileged white women the things traditionally denied women as a class, namely, economic success and self-ownership of their bodies as sexual property (McRobbie 2004). Because voice is commonly used as a metaphor for...
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Format: | Article |
Language: | English |
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University of Huddersfield, Department of Music
2017-11-01
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Series: | Dancecult: Journal of Electronic Dance Music Culture |
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Online Access: | https://dj.dancecult.net/index.php/dancecult/article/view/918 |