Post-Feminism’s “New Sexual Contract” and Electronic Dance Music’s Queered Femme Voices

Angela McRobbie argues that post-feminism’s “new sexual contract” grants otherwise privileged white women the things traditionally denied women as a class, namely, economic success and self-ownership of their bodies as sexual property (McRobbie 2004). Because voice is commonly used as a metaphor for...

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Bibliographic Details
Main Author: Robin James
Format: Article
Language:English
Published: University of Huddersfield, Department of Music 2017-11-01
Series:Dancecult: Journal of Electronic Dance Music Culture
Subjects:
Online Access:https://dj.dancecult.net/index.php/dancecult/article/view/918