Principe du montage et visibilité de l’histoire. Arrêt sur quelques images de la lutte pour l’amnistie au Brésil
This paper returns to the Benjaminian idea of montage as a historiographical method and proposes strategies for resuming, cinematically, recently found images of Brazilian amnesty. The montage, as an organizing principle of the documents of an era, quotes the past and...
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| Format: | Article |
| Language: | fra |
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Maison des Science de l'Homme
2022-11-01
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| Series: | Brésil(s) |
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| Online Access: | http://journals.openedition.org/bresils/13677 |