Konwencja lieto fine w «Ifigenii w Taurydzie» Glucka

The convention of the happy ending in opera librettos, which had reigned supreme virtually since the beginnings of the genre until the rise of grand opera, was a result of theoretical reflection as much as of the preferences of the audiences. There was virtually no story (the most popular Biblical,...

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Bibliographic Details
Main Author: Stefan Münch
Format: Article
Language:English
Published: Institute of Art of the Polish Academy of Sciences 2016-06-01
Series:Pamiętnik Teatralny
Subjects:
Online Access:https://czasopisma.ispan.pl/index.php/pt/article/view/1962