Konwencja lieto fine w «Ifigenii w Taurydzie» Glucka
The convention of the happy ending in opera librettos, which had reigned supreme virtually since the beginnings of the genre until the rise of grand opera, was a result of theoretical reflection as much as of the preferences of the audiences. There was virtually no story (the most popular Biblical,...
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Format: | Article |
Language: | English |
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Institute of Art of the Polish Academy of Sciences
2016-06-01
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Series: | Pamiętnik Teatralny |
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Online Access: | https://czasopisma.ispan.pl/index.php/pt/article/view/1962 |