Sinestesia e totalità nel teatro di Paul-Napoléon Roinard (1856-1930)
11th December 1891, at Théâtre d’art, the Cantique des cantiques (“Song of songs”), based on a idea of Paul-Napoléon Roinard went on stage. Roinard used biblical text to create a form of a total theatre, through the stimulation of three of five senses: music and scents try to concrete the poetry of...
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| Format: | Article |
| Language: | English |
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Milano University Press
2017-06-01
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| Series: | Itinera |
| Online Access: | https://riviste.unimi.it/index.php/itinera/article/view/8722 |