Sexsation and the Neo-New Woman in Sarah Waters’s Fingersmith (2002)
Marie-Luise Kohlke’s concept of neo-Victorian ‘sexsation’ characterises the project of contemporary novelist Sarah Waters to explore sensational representations of the Victorians’ sexual lives. In Fingersmith, Waters re-imagines patriarchal Victorian pornography rife with masculine stereotypes of ma...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2022-06-01
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| Series: | Études Britanniques Contemporaines |
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| Online Access: | http://journals.openedition.org/ebc/11819 |