Jazz Between the Lines: Sound Notation, Dances, and Stereotypes in Hergé’s Early Tintin Comics
“Jazzy” or not, the close intermedial encounter of jazz and comics, i.e., two medially and semiotically complex forms of expression already by themselves, asks for a general reflection on the nature of sound in combination with visual notes, scores, movement, and performance in the comics medium. Th...
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| Format: | Article |
| Language: | English |
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European Association for American Studies
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| Series: | European Journal of American Studies |
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| Online Access: | https://journals.openedition.org/ejas/12402 |