Lehár Ferenc és az operett marxista megközelítésének „fonákságai”
Franz Lehár and the „Contradictions” of a Marxist Approach to Operetta Following the import of Soviet musical plays and Socialist attempts at creating contemporary Hungarian ones, the “new cult of classical operetta” started with The Count of Luxembourg at the Budapest Operetta Theatre after its nat...
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| Format: | Article |
| Language: | English |
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UArtPres
2021-12-01
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| Series: | Symbolon |
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| Online Access: | http://uartpress.ro/journals/index.php/symbolon/article/view/293 |