Vertov et la perception-caméra
This article approaches cinema through a transdisciplinary perspective joining philosophy with moving-image practice to think time, subjectivity, objectivity – and relationality. Working from the example of Dziga Vertov’s Man With a Movie Camera film, it explores the idea of the perception-ca...
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| Format: | Article |
| Language: | English |
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Milano University Press
2019-10-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16182 |