Vertov et la perception-caméra
This article approaches cinema through a transdisciplinary perspective joining philosophy with moving-image practice to think time, subjectivity, objectivity – and relationality. Working from the example of Dziga Vertov’s Man With a Movie Camera film, it explores the idea of the perception-ca...
Main Author: | Gabriele |
---|---|
Format: | Article |
Language: | English |
Published: |
Milano University Press
2019-10-01
|
Series: | Cinéma & Cie |
Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16182 |
Similar Items
-
Perception urbaine, distraction et stratification chez Benjamin, Eisenstein et Vertov
by: Pascal Rousse -
Dziga Vertov’s Cinema as a Language of Temporal Reflection
by: A. E. Yakimov
Published: (2021-06-01) -
Vertov ou l’apothéose de l’appareil
by: Pascal Krajewski -
Dziga Vertov and Walt Whitman: Poetic Image in Documentary Films
by: K. L. Goryachok
Published: (2022-02-01) -
Restoration of Lost Film Heritage on the Example of Dziga Vertov’s Film Anniversary of the Revolution
by: Izvolov Nikolai A.
Published: (2024-03-01)