The Acoustic Mirror and Subversive Visual Strategies in Park Chan Wook’s The Handmaiden
This essay analyzes the narrative and visual tools that the Korean director, Park Chan-Wook deploys in his film that aim to dismantle this hegemonic gaze and its associated discourse by using Lacan’s visual theory, Laura Mulvey’s concept of visual pleasure and Kaja Silverman’s approach of voice as...
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| Format: | Article |
| Language: | English |
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University of Pittsburgh
2022-05-01
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| Series: | CINEJ Cinema Journal |
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| Online Access: | http://cinej.pitt.edu/ojs/cinej/article/view/446 |