THE MULTI-SCREEN AESTHETICS IN THE ANIMATED CARTOONS OF SOVIET ARTISTS / ПОЛИЭКРАННАЯ ЭСТЕТИКА В МУЛЬТИПЛИКАЦИИ СОВЕТСКИХ ХУДОЖНИКОВ

THE MULTI-SCREEN AESTHETICS IN THE ANIMATED CARTOONS OF SOVIET ARTISTS / ПОЛИЭКРАННАЯ ЭСТЕТИКА В МУЛЬТИПЛИКАЦИИ СОВЕТСКИХ ХУДОЖНИКОВ

The essence of the multi-screen technique is to divide, however, paradoxically, it unites objects and spaces, juxtaposes them, and generates new means of interaction. The multi-screen technique reflects the structure of the spatial position of the protagonists and the map of the heroes’ social space...

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Bibliographic Details
Main Author: EVALLYO VIOLETTA DMITRIEVNA / ЭВАЛЛЬЕ ВИОЛЕТТА ДМИТРИЕВНА
Format: Article
Language:English
Published: GITR Film & Television School 2018-09-01
Series:Наука телевидения
Subjects:
multi-screen
animation
Soviet animated cartoon
visual culture
screen arts
Feodor Khitruk
Yuri Norstein
полиэкран
анимация
советская мультипликация
визуальная культура
экранные искусства
Ф. Хитрук
Ю. Норштейн
split sreen
soviet animation
formal techniques
visual arts
Online Access:https://cyberleninka.ru/article/v/poliekrannaya-estetika-vmultiplikatsii-sovetskih-hudozhnikov

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https://cyberleninka.ru/article/v/poliekrannaya-estetika-vmultiplikatsii-sovetskih-hudozhnikov

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