Wallander's Dark Geopolitics
A current fault line in the study of crime fiction as a transnational genre is to what extent crime novels offer readers genuine cosmopolitan windows onto other worlds and cultures or whether it simply is bound to reproduce trite imagologies and national stereotypes. The overarching premise for this...
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| Format: | Article |
| Language: | English |
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Sciendo
2020-09-01
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| Series: | Nordicom Review |
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| Online Access: | https://doi.org/10.2478/nor-2020-0014 |