Max Dvořák and the History of Medieval Art
The intellectual development of Max Dvořák (1874-1921), one of the protagonists of the ‘Vienna School of Art History’, was characterized by a constant process of methodological self-criticism. His changing views on Medieval Art are known above all by two texts: The Enigma of the Art of the Van Eyck...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2010-06-01
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| Series: | Journal of Art Historiography |
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| Online Access: | http://arthistoriography.files.wordpress.com/2011/02/media_152487_en.pdf |