The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema
The return of realism that followed the Postmodern years, marks an ontological “turn” which is not free of consequences also in relation to theories on cinema. This essay aims at analysing the existing relationship between the aesthetic-perceptive experience – through the notion of “immediate exper...
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Format: | Article |
Language: | English |
Published: |
Milano University Press
2013-03-01
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Series: | Cinéma & Cie |
Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16279 |