The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema
The return of realism that followed the Postmodern years, marks an ontological “turn” which is not free of consequences also in relation to theories on cinema. This essay aims at analysing the existing relationship between the aesthetic-perceptive experience – through the notion of “immediate exper...
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| Format: | Article |
| Language: | English |
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Milano University Press
2013-03-01
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| Series: | Cinéma & Cie |
| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16279 |
| _version_ | 1797305480949792768 |
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| author | Luca Taddio |
| author_facet | Luca Taddio |
| author_sort | Luca Taddio |
| collection | DOAJ |
| description |
The return of realism that followed the Postmodern years, marks an ontological “turn” which is not free of consequences also in relation to theories on cinema. This essay aims at analysing the existing relationship between the aesthetic-perceptive experience – through the notion of “immediate experience” – and the notion of “reality” in the cinematographic image. The link image-reality is considered here as a “phenomenon” in itself. If the phenomenal experience could be intended as such, without a subject, the cinematographic image too could be intended as a look without subjectivity. Cinema takes us beyond phenomenology, or rather, inside a “heretic” phenomenological perspective.
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| first_indexed | 2024-03-08T00:27:32Z |
| format | Article |
| id | doaj.art-3081e65a7fbd473ea6c8df0f78eefbb2 |
| institution | Directory Open Access Journal |
| issn | 2036-461X |
| language | English |
| last_indexed | 2024-03-08T00:27:32Z |
| publishDate | 2013-03-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Cinéma & Cie |
| spelling | doaj.art-3081e65a7fbd473ea6c8df0f78eefbb22024-02-15T15:28:53ZengMilano University PressCinéma & Cie2036-461X2013-03-011320The Cinematic Performance of the Real: Aesthetics, New Realism, and CinemaLuca Taddio0Università di Udine/Università di Trieste The return of realism that followed the Postmodern years, marks an ontological “turn” which is not free of consequences also in relation to theories on cinema. This essay aims at analysing the existing relationship between the aesthetic-perceptive experience – through the notion of “immediate experience” – and the notion of “reality” in the cinematographic image. The link image-reality is considered here as a “phenomenon” in itself. If the phenomenal experience could be intended as such, without a subject, the cinematographic image too could be intended as a look without subjectivity. Cinema takes us beyond phenomenology, or rather, inside a “heretic” phenomenological perspective. https://riviste.unimi.it/index.php/cinemaetcie/article/view/16279 |
| spellingShingle | Luca Taddio The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema Cinéma & Cie |
| title | The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema |
| title_full | The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema |
| title_fullStr | The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema |
| title_full_unstemmed | The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema |
| title_short | The Cinematic Performance of the Real: Aesthetics, New Realism, and Cinema |
| title_sort | cinematic performance of the real aesthetics new realism and cinema |
| url | https://riviste.unimi.it/index.php/cinemaetcie/article/view/16279 |
| work_keys_str_mv | AT lucataddio thecinematicperformanceoftherealaestheticsnewrealismandcinema AT lucataddio cinematicperformanceoftherealaestheticsnewrealismandcinema |