“It’s so queer—in the next room”: Docile/ Deviant Bodies and Spatiality in Lillian Hellman’s The Children’s Hour
This paper explores the spatial and temporal elements in Lillian Hellman’s The Children’s Hour by examining connections between bodies and spaces, and the ways in which a body, once it moves beyond expectations or confines of docility into deviance, effectively “queers” a space that is intended to r...
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| Format: | Article |
| Language: | English |
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Université Toulouse - Jean Jaurès
2017-09-01
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| Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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| Online Access: | http://journals.openedition.org/miranda/10519 |