Chefs-d’oeuvre de légèreté et de grâce
This article analyses the inclusion of Venetian glass pieces and mosaics at four Universal Exhibitions in Paris from 1867 – the first year in which Italy could be represented as a unified country – till 1900, when the annual event inaugurated a new century and a completely different art system. T...
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| Format: | Article |
| Language: | English |
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Fondazione Università Ca’ Foscari
2017-07-01
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| Series: | MDCCC 1800 |
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| Online Access: | http://doi.org/10.14277/2280-8841/MDCCC-6-17-2 |