The Paradox of a Gesture, Enlarged by the Distension of Time: Merleau-Ponty and Lacan on a Slow-Motion Picture of Henri Matisse Painting
In his lecture series The Four Fundamental Concepts of Psychoanalysis (1964), Lacan refers to a “delightful example” that Merleau-Ponty gives in his Book Signes (1960). Lacan describes it as a “strange slow-motion film in which one sees Matisse painting.” This is a scene from the documentary entitle...
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| Format: | Article |
| Language: | English |
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Performance Philosophy
2017-06-01
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| Series: | Performance Philosophy |
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| Online Access: | https://www.performancephilosophy.org/journal/article/view/164 |