‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018
In her book on the historiography of German Baroque and Rococo art during the period 1830-1930, Ute Engel discusses how the rediscovery of the German Baroque led to the canonization of many monuments and artists. She argues that, although there was a growing tendency toward nationalist rhetoric in t...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2019-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2019/06/witte-rev.pdf |