‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018
In her book on the historiography of German Baroque and Rococo art during the period 1830-1930, Ute Engel discusses how the rediscovery of the German Baroque led to the canonization of many monuments and artists. She argues that, although there was a growing tendency toward nationalist rhetoric in t...
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| Format: | Article |
| Language: | English |
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Department of Art History, University of Birmingham
2019-12-01
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| Series: | Journal of Art Historiography |
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| Online Access: | https://arthistoriography.files.wordpress.com/2019/06/witte-rev.pdf |
| _version_ | 1818007933423714304 |
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| author | Arnold Witte |
| author_facet | Arnold Witte |
| author_sort | Arnold Witte |
| collection | DOAJ |
| description | In her book on the historiography of German Baroque and Rococo art during the period 1830-1930, Ute Engel discusses how the rediscovery of the German Baroque led to the canonization of many monuments and artists. She argues that, although there was a growing tendency toward nationalist rhetoric in the long nineteenth century, especially after 1870, no consistent or coherent impact of it on art history can be discerned. This leaves open the issue how art historical discourse was related to nationalism; whether the academic informed the political discourse, as is sometimes argued, or vice versa. What does become clear in Engel’s book is firstly that not so much the Baroque but especially the Rococo became identified with ‘Germanness’. Secondly, it shows that there was a growing tendency not toward a pan-German concept of style, but toward a regional approach of seventeenth- and eighteenth-century art – so Bavarian and Prussian became almost more important categories for art historical discourse than mere ‘Germanness’. |
| first_indexed | 2024-04-14T05:22:19Z |
| format | Article |
| id | doaj.art-337321ae5ca746bf98f5c747f85ae556 |
| institution | Directory Open Access Journal |
| issn | 2042-4752 |
| language | English |
| last_indexed | 2024-04-14T05:22:19Z |
| publishDate | 2019-12-01 |
| publisher | Department of Art History, University of Birmingham |
| record_format | Article |
| series | Journal of Art Historiography |
| spelling | doaj.art-337321ae5ca746bf98f5c747f85ae5562022-12-22T02:10:08ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522019-12-012121AW1‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018Arnold Witte0University of Amsterdam and the Royal Netherlands Institute in RomeIn her book on the historiography of German Baroque and Rococo art during the period 1830-1930, Ute Engel discusses how the rediscovery of the German Baroque led to the canonization of many monuments and artists. She argues that, although there was a growing tendency toward nationalist rhetoric in the long nineteenth century, especially after 1870, no consistent or coherent impact of it on art history can be discerned. This leaves open the issue how art historical discourse was related to nationalism; whether the academic informed the political discourse, as is sometimes argued, or vice versa. What does become clear in Engel’s book is firstly that not so much the Baroque but especially the Rococo became identified with ‘Germanness’. Secondly, it shows that there was a growing tendency not toward a pan-German concept of style, but toward a regional approach of seventeenth- and eighteenth-century art – so Bavarian and Prussian became almost more important categories for art historical discourse than mere ‘Germanness’.https://arthistoriography.files.wordpress.com/2019/06/witte-rev.pdfbaroque and rococo painting and architecturegermanyaustria19th-century nationalism |
| spellingShingle | Arnold Witte ‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018 Journal of Art Historiography baroque and rococo painting and architecture germany austria 19th-century nationalism |
| title | ‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018 |
| title_full | ‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018 |
| title_fullStr | ‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018 |
| title_full_unstemmed | ‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018 |
| title_short | ‘German Baroque and ‘Sonderrokoko’: canonising and ‘nationalising’ the arts in Germany during the long nineteenth century’. Review of: Ute Engel – Stil und Nation. Barockforschung und deutsche Kunstgeschichte (ca. 1830-1930), Paderborn: Wilhelm Fink, 2018 |
| title_sort | german baroque and sonderrokoko canonising and nationalising the arts in germany during the long nineteenth century review of ute engel stil und nation barockforschung und deutsche kunstgeschichte ca 1830 1930 paderborn wilhelm fink 2018 |
| topic | baroque and rococo painting and architecture germany austria 19th-century nationalism |
| url | https://arthistoriography.files.wordpress.com/2019/06/witte-rev.pdf |
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