C.P.E. Bach's "art" and "craft"? : galant schemata and the Rule of the Octave as markers of convention in selected keyboard sonatas and in the Versuch
One of the central issues in the discourse on C. P. E. Bach's music is the relation between the public and private aspects of his work. Recent scholarship on partimenti and galant schemata (Gjerdingen 2007, Sanguinetti 2012) proposes a new view of the craft of eighteenth-century composition: it...
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| Format: | Article |
| Language: | ces |
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Masaryk University, Faculty of Arts
2017-06-01
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| Series: | Musicologica Brunensia |
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| Online Access: | https://journals.phil.muni.cz/musicologica-brunensia/article/view/23875 |