The Plan as Eidos: Bramante’s Half-Drawing and Durand’s Marche
ABSTRACT By confronting Bramante’s plan for St Peter Basilica (1503) with Durand’s “Method of Composition” - summarized in his Marche plate (1802) - a modern conceptualisation of the plan unfolds which can be explained through the philosophical notion of eidos: the Greek term for “idea”, “form” an...
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| Format: | Article |
| Language: | Spanish |
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Universidad de Costa Rica
2014-11-01
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| Series: | RevistArquis |
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| Online Access: | https://revistas.ucr.ac.cr/index.php/revistarquis/article/view/16959 |