Epistemology of the Feelies. Aldous Huxley’s Brave New World and the Dream of Smell Media
The essay analyses from an epistemological point of view the functions of an imaginary medium, the feelies, namely some stereoscopic, tactile, and especially olfactory movies imagined by Aldous Huxley in the futuristic dystopia Brave New World (1932). Its main goal is to comprehend the identity, fu...
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| Format: | Article |
| Language: | English |
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Milano University Press
2023-09-01
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| Series: | Cinéma & Cie |
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| Online Access: | https://riviste.unimi.it/index.php/cinemaetcie/article/view/19442 |