“Have You Ever Seen the Crowd Goin’ Apeshit?”: Disrupting Representations of Animalistic Black Femininity in the French Imaginary

“Have You Ever Seen the Crowd Goin’ Apeshit?”: Disrupting Representations of Animalistic Black Femininity in the French Imaginary

16 June 2018. London Stadium. Beyonc&#233; and Jay&#8722;Z revealed the premiere of the music video <i>Apeshit</i>. Filmed inside the Louvre Museum in Paris, Beyonc&#233;&#8217;s sexual desirability powerfully dialogues with Western canons of high art that have dehumanize...

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Bibliographic Details
Main Author: Elodie Silberstein
Format: Article
Language:English
Published: MDPI AG 2019-08-01
Series:Humanities
Subjects:
Beyoncé
black femininity
black sexuality
colonialism
canons of high art
nudity
restitution of cultural capital
Online Access:https://www.mdpi.com/2076-0787/8/3/135

Internet

https://www.mdpi.com/2076-0787/8/3/135

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