The National, the Diasporic, and the Canonical: The Place of Diasporic Imagery in the Canon of Israeli National Art
This article explores Jerusalem-based art practice from the 1930s to the 1960s, focusing particularly on the German immigrant artists that dominated this field in that period. I describe the distinct aesthetics of this art and explain its role in the Zionist nation-building project. Although Jerusal...
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| Format: | Article |
| Language: | English |
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MDPI AG
2020-03-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/9/2/42 |