The Sublime in Lutoslawski’s Three Poems of Henri Michaux (1961-63)
The sublime in classical aesthetics arrived at a famous formulation with Kant (CPJ, Part I, Section 1, Book 2, §23–29) as a subjective quality more elevated than beauty, linked to commotion and respect followed by reaffirmation. However, a new interpretation of the Schopenhauerian sublime is necessa...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2019-06-01
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| Series: | Aisthesis |
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| Online Access: | https://oajournals.fupress.net/index.php/aisthesis/article/view/1020 |