Improntas coloniales en las prácticas artísticas latinoamericanas: versiones del retrato etnográfico en la Serie 1989-2000 de Luis González Palma
The following article identifies and analyzes the presence of colonial imprints in Serie 1989-2000 by Guatemalan artist Luis Gonzalez Palma (1957). I argue that by citing different versions of the ethnographic portrait visual genre, the Serie builds a temporal arc that extends from the sixteenth cen...
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| Format: | Article |
| Language: | English |
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Centro Argentino de Investigadores de Arte
2014-09-01
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| Series: | Caiana: Revista de Historia del Arte y Cultura Visual |
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| Online Access: | http://caiana.caia.org.ar/template/caiana.php?pag=articles/article_2.php&obj=160&vol=5 |