La violence de la dictature brésilienne revisitée : les contributions de l’installation « Salle obscure de torture » à une esthétique de la mémoire dans l’art contemporain
The installation « Dark Room of Torture », created in 1972 by a group of Latin American artists exiled in France, holds artistic value that remains relatively unexplored in art criticism. Analyzing this work allows for broader studies of the connections between art, militancy, and trauma. Furthermor...
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| Format: | Article |
| Language: | fra |
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Maison des Science de l'Homme
2020-05-01
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| Series: | Brésil(s) |
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| Online Access: | http://journals.openedition.org/bresils/6447 |