Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella Stendhaliana
On July 1st, 1837, Stendhal publishes a novella, Les Cenci, in La Revue des Deux Mondes. He deliberately proposes an arbitrary translation of a text from the Roman manuscript of Palazzo Caetani (BNF, Ms Italien 172). Stendhal, who is not new to translation, has already published a novella from the m...
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| Format: | Article |
| Language: | English |
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Milano University Press
2020-01-01
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| Series: | Altre Modernità |
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| Online Access: | https://riviste.unimi.it/index.php/AMonline/article/view/12786 |
| _version_ | 1797709461286027264 |
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| author | Serena Perego |
| author_facet | Serena Perego |
| author_sort | Serena Perego |
| collection | DOAJ |
| description | On July 1st, 1837, Stendhal publishes a novella, Les Cenci, in La Revue des Deux Mondes. He deliberately proposes an arbitrary translation of a text from the Roman manuscript of Palazzo Caetani (BNF, Ms Italien 172). Stendhal, who is not new to translation, has already published a novella from the manuscripts, and he progressively evolves into a re-writing of the original text. Nevertheless, in Les Cenci he is still faithful to the original text and the new text shows up the first signals of a paradigmatic change, e.g. the long introduction. Textual occurrences, marks of additions or "flotsams" from the manuscript, point out his poetics of translation. My purpose is to highlight how some of these text "flotsams" are the symptom of a poetics of mystification, which in turn identifies his poetics of enunciation and reception. Eventually, a pragmatic analysis connected to textual deictics, to the enunciative scene and to textual “flotsams” can be useful to understand the whole text construction and the (dis)concordance between the fictional and the real world. Furthermore, it can show up how the text reorganization is the result of a (re)configuration: the “literary myth” of Don Giovanni. |
| first_indexed | 2024-03-12T06:37:58Z |
| format | Article |
| id | doaj.art-3b03ff11d18b4d45b4a374a3c11612bf |
| institution | Directory Open Access Journal |
| issn | 2035-7680 |
| language | English |
| last_indexed | 2024-03-12T06:37:58Z |
| publishDate | 2020-01-01 |
| publisher | Milano University Press |
| record_format | Article |
| series | Altre Modernità |
| spelling | doaj.art-3b03ff11d18b4d45b4a374a3c11612bf2023-09-03T01:12:55ZengMilano University PressAltre Modernità2035-76802020-01-01Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella StendhalianaSerena Perego0Università degli Studi di PisaOn July 1st, 1837, Stendhal publishes a novella, Les Cenci, in La Revue des Deux Mondes. He deliberately proposes an arbitrary translation of a text from the Roman manuscript of Palazzo Caetani (BNF, Ms Italien 172). Stendhal, who is not new to translation, has already published a novella from the manuscripts, and he progressively evolves into a re-writing of the original text. Nevertheless, in Les Cenci he is still faithful to the original text and the new text shows up the first signals of a paradigmatic change, e.g. the long introduction. Textual occurrences, marks of additions or "flotsams" from the manuscript, point out his poetics of translation. My purpose is to highlight how some of these text "flotsams" are the symptom of a poetics of mystification, which in turn identifies his poetics of enunciation and reception. Eventually, a pragmatic analysis connected to textual deictics, to the enunciative scene and to textual “flotsams” can be useful to understand the whole text construction and the (dis)concordance between the fictional and the real world. Furthermore, it can show up how the text reorganization is the result of a (re)configuration: the “literary myth” of Don Giovanni.https://riviste.unimi.it/index.php/AMonline/article/view/12786Stendhal; Les Cenci; Don Juan; flotsam; translation |
| spellingShingle | Serena Perego Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella Stendhaliana Altre Modernità Stendhal; Les Cenci; Don Juan; flotsam; translation |
| title | Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella Stendhaliana |
| title_full | Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella Stendhaliana |
| title_fullStr | Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella Stendhaliana |
| title_full_unstemmed | Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella Stendhaliana |
| title_short | Les Cenci e il don Giovanni: traduzione, (ri)configurazione e “scarto” in una novella Stendhaliana |
| title_sort | les cenci e il don giovanni traduzione ri configurazione e scarto in una novella stendhaliana |
| topic | Stendhal; Les Cenci; Don Juan; flotsam; translation |
| url | https://riviste.unimi.it/index.php/AMonline/article/view/12786 |
| work_keys_str_mv | AT serenaperego lescencieildongiovannitraduzionericonfigurazioneescartoinunanovellastendhaliana |