'A Joycean Smutmonger': Echoes of Joyce in Máirtín Ó Cadhain's Rural Modernism
Since its publication, critics of Máirtín Ó Cadhain’s Irish-language masterpiece Cré na Cille (1949; Graveyard Clay) have consistently namechecked James Joyce’s Ulysses (1922), usually for the sole purpose of conveying its perceived difficulty and/or vulgarity. Indeed, Cré na Cille was first refused...
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| Format: | Article |
| Language: | English |
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European Federation of Associations and Centres of Irish Studies
2024-04-01
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| Series: | Review of Irish Studies in Europe |
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| Online Access: | https://risejournal.eu/index.php/rise/article/view/3249 |