Late Modernist Noirs: Béla Tarr’s Damnation/ Kárhozat and György Fehér’s Passion/ Szenvedély
Since the 80s, a large number of films, manifestly indebted to the classic American noir films of the 40s and 50s, have been appropriately labeled neo-noirs. An interesting, but less well documented version of this phenomenon, mostly American in its nature, is the case of some of the films belonging...
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| Format: | Article |
| Language: | English |
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Babes-Bolyai University, Cluj-Napoca
2022-12-01
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| Series: | Caietele Echinox |
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| Online Access: | http://caieteleechinox.lett.ubbcluj.ro/wp-content/uploads/2022/12/CaieteEchinox43-2022-p.104-113.pdf |