<i>‘No’ Dimo’ par de Botella’ y Ahora Etamo’ Al Garete’</i>: Exploring the Intersections of Coda /s/, Place, and the Reggaetón Voice
The rebranding of reggaetón towards Latin urban has been criticized for tokenizing Afro-Caribbean linguistic and cultural practices as symbolic resources recruitable by non-Caribbean artists/executives in the interest of profit. Consumers are particularly critical of an audible phonological homogene...
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| Format: | Article |
| Language: | English |
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MDPI AG
2024-08-01
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| Series: | Languages |
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| Online Access: | https://www.mdpi.com/2226-471X/9/9/292 |