The Aesthetics of Textural Ambiguity: Brahms and the Changing Piano
In recent years, a number of performance practice scholars writing on Brahms’s piano music have commented on the prominence of low-lying melodic lines, thickly-written accompaniments, and often dense saturation of the lower register. For such writers these textural features constitute proof that Bra...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2006-09-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5078 |