Léal souvenir? La photographie, la peinture et le serment de l’image fidèle
The aim of this paper is to question the objectivist conception of photography by confronting it with the history – and epistemology – of the painted image. I suggest that the idea of photography as an objective testimony seems to rest upon a phenomenon already described by ancient rhetoric – enarge...
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| Format: | Article |
| Language: | English |
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Firenze University Press
2018-11-01
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| Series: | Aisthesis |
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| Online Access: | https://oajournals.fupress.net/index.php/aisthesis/article/view/972 |