Kabaret, det revolusjonære og poetiske
In Norway, the theatrical avant-garde, 1920–1950, was oriented towards cabaret dramaturgy and symbolism. There also developed a direction of political theatre, as well as tendencies towards a more poetic-theatrical kind of theatre. Directors such as Agnes Mowinckel and Hans Jacob Nilsen were centra...
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| Format: | Article |
| Language: | Danish |
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Bergen Open Access Publishing
2019-01-01
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| Series: | Teatervitenskapelige Studier |
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| Online Access: | https://boap.uib.no/index.php/tvs/article/view/2605 |