Visual figures of musical form between musicological examination and auditory perception based on Morgan’s analysis of the “Tristan” Prelude
While Wagner and his music have been studied extensively from musicological and music-theoretical perspectives, recent scientific approaches shed light on perceptual processes implicated in the experience of Wagner’s music, yielding important insights into the (re)cognition of musical form. Since fi...
| Main Authors: | , |
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| Format: | Article |
| Language: | English |
| Published: |
SAGE Publishing
2018-10-01
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| Series: | Music & Science |
| Online Access: | https://doi.org/10.1177/2059204318794364 |