<em>All the Missiles Are One Missile</em> Revisited: Dazzle in the Work of Zofia Kulik
This essay revisits one of Polish artist Zofia Kulik’s most important ‘photocarpets’, produced in a moment of hope, retrospection yet continuing war in 1993; seen by an international public in 1997. Visually, its composition is dominated by late Soviet sculptures symbolising Mother Russia and milita...
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| Format: | Article |
| Language: | English |
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MDPI AG
2022-11-01
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| Series: | Arts |
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| Online Access: | https://www.mdpi.com/2076-0752/11/6/116 |