“In the First Place, We Don’t Like to Be Called ‘Refugees’”: Dilemmas of Representation and Transversal Politics in the Participatory Art Project <i>100% FOREIGN?</i>
<i>100% FOREIGN?</i> (<i>100% FREMMED?</i>) is an art project consisting of 250 life stories of individuals who were granted asylum in Denmark between 1956 and 2019. Thus, it can be said to form a collective portrait that inserts citizens of refugee backgrounds into the narra...
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| Format: | Article |
| Language: | English |
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MDPI AG
2021-12-01
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| Series: | Humanities |
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| Online Access: | https://www.mdpi.com/2076-0787/10/4/126 |