The paradigm’s origin in the modern publicitary photography: the Tenedor of André Kertesz or the Cuello Idestyle of Paul Outerbridge <br>Origen del paradigma de la fotografía publicitaria moderna: el Tenedor de André Kertesz o el Cuello Idestyle de Paul Outerbridge
Due to the ambiguity of the origins of advertising photography and its paradigm this article has been focussed on two anthological images : the Kertesz Fork and Outerbridge’s Idestyle Neck. The analysis of these images and their authors has enabled us to conclude that Outerbridge’s photography the I...
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| Format: | Article |
| Language: | Spanish |
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Universidade Estadual de Londrina
2010-08-01
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| Series: | Discursos Fotográficos |
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| Online Access: | http://www.uel.br/revistas/uel/index.php/discursosfotograficos/article/view/5689 |